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Aqueduct Nottolini

Unfortunately, we have the usual ...

Another beautiful Opera left to ruin and all'incuria by our beloved politicians.

The aqueduct is part not only of history but it is a work that should be preserved, stored and re-inserted in the guides for sightseeing.

I think a tour to retrace the structure from upstream to downstream (marketing and art), would give a "hard time" Lucchesi to many other attractions.

The right-thinking people (citizens and co.) Instead of preserving the great culture and beauty of the place, have proposed a few months ago to the various offices and other amenities as swimming pools built on the ramparts of the walls or even bar on top of the towers.

We fruit.
SAVE THE AQUEDUCT!

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Lorenzo Nottolini (Capannori, May 6, 1787 - Lucca, September 12, 1851) was an architect and engineer.
active mainly in Lucca, is known for his work in the field of water regime. To him we owe also the current state of repute Square Amphitheater, one of the most popular tourist attractions of Lucca.
Nottolini The aqueduct dates back to the nineteenth century, built by Maria Luisa of Bourbon to supply water to Lucca. Designed by Lorenzo Nottolini, was built between 1823 and 1851, the year of death of the architect. The massive work had long 3250 meters with 459 masonry arches.

waters of Monti Pisani flowed in the temple-tank Guamo built from 1823 to 1825 in a neoclassical style, and along the aqueduct, came to the shrine of St. Concordio and from there to the fountains in the center. From the Temple of
Guamo

you can reach the area known as the golden words, where you can enjoy the canal system and stone walls along the valley at the foot of Monti Pisani.

The aqueduct was designed to bring within the walls of Lucca, by two separate paths, water quality of major and minor. The increased water quality came from the springs and the other from Serra crawl space (building, bringing together the waters of the Rio San Quirico, Valle del Rio).

The place where Serra is the hornet's nest is called "The words of gold" because the locals had mistaken for brass shiny gold letters that covered a 'rock inscription carved on a small bridge.

through underground ducts and "booty inspection" the water arrives at the "temple-tank" of Guam.

Quattrocentosessanta pillars, a distance of about 3.250 meters, which support the arches on the top two channels for water flow.

To stabilize the structure were built, so equidistant, 28 buttresses to reinforce the pillars.

From the "temple-tank" of San Concordio a penstock entered the city, passing under the bulwark of St. Columban. On either side of the "temple" were two water fountains that were flowing from a vent.

Other buildings

· Covering dei Fossi (ancient moat), now the Corso Garibaldi Lucca (1818-20);
· Works expansion and decoration of the Palazzo Ducale in Lucca (1818-45);
· ; Interventions at the Teatro del Giglio in Lucca (1819);
• To Villa Reale: new access, new front to the north and Coffee-house wing Marlia (1819);
· Observatory in San Pancrazio di Lucca (1819 et seq.)
· ; Piazza Anfiteatro in Lucca (1830-39);
• The new convent in Vinchiana Angel (1827)
· Plants and restoration projects at the palace of Bath Villa in Bagni di Lucca (1829 et seq.)
of · Casino Hunting Carlo Lodovico in Pieve Santo Stefano (1837-1843);
· Designer 's Oratory of the Annunciation at Villa ratchet Vorno.